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         In December 2005, I moved from downtown NYC, 100 miles north to Mountaindale, NY. Fascinated by my new environment, I took time to explore the area, particularly the large amounts of abandoned buildings, farmhouses, summer homes, bungalows, trailers and rooming houses. I undertook a photographic survey of these vacant and decaying buildings. Vanishingcatskills.us
         Walking around the properties as well as hiking through empty fields or along country roads, I kept coming upon the odd piece of enamelware and or a discarded rusty bucket. I don't know why I started but I kept the first rusted deformed enamelware cup that I found. From that point every time I found a piece of enamelware or a rusty bucket I kept it. The enamelware I began to use as a basis for a photographic project, Kitchen Table. As I became more familiar with the landscape I began to discover the penchant of individuals to discard their household trash and appliances along the side of the road. Roads that were built on the side of a hill were a favorite because the trash would fall down the embankment, hiding the evidence from view. In pre-environmentally conscious days, garbage was often burned on the property in a "burn" pile located behind the building usually behind a stone fence. All the household trash, such as mattress springs, paint cans, beer bottles, refrigerators, bicycles and so forth was also thrown out in the same area.
         These places became the hunting grounds for a swelling collection of enamelware pots, kettles, fry pans, coffee pots, washbasins, pitchers and cups. Everywhere I looked, I also found the ubiquitous galvanized pail or bucket, filled with residues of paint, tar, and cement or merely empty, perforated with holes or missing the bottom entirely. The pails were interesting because they are the industrial version of the first ceramic pots made to carry water. The bucket is the acme of industrial design, production and utility. Today metal buckets are increasingly scarce and rarely available for household use. Plastic has replaced galvanized steel as a matter of convenience. Color and lightness are valued more than durability.
         This web site is a presentation of the rusty buckets found in the Mountaindale area. The effects of use, time and decay have made each bucket a unique shape, each with an aesthetic value that now has replaced their utilitarian value.
         — Raymon Elozua, 2008


ABOUT

Raymon Elozua, b. 1947, West Germany, is a transdisciplinary visual artist working in Mountaindale, in the Catskill region of New York. His extensive studio practice consists of large-scale sculpture in ceramic, steel, and glass, photography, visual research and archiving, and web-based projects. Elozua’s work often references the vessel, Abstract Expressionism, industrial decline and decay, and regionalism. He began his career creating large scale photorealist sculptures of American industrial architecture. In 1984, he undertook a multimedia project on the decline of the American steel industry. Traveling to mill towns across the country, he took photographs of abandoned mills, researched public libraries, and scoured bookstores for any printed material related to the steel industry. In 1988, he completed the art project, "Home Scrap," a series of sculptures, paintings and photographs, accompanied by a catalog, shown at Carlos LaMagna Gallery, NYC and museums across the country. Since, he has worked on several different series of welded steel and ceramic sculptures, referencing the vessel and abstract expressionist paintings. He has taught at New York University, Pratt School of Design, Rhode Island School of Design, California College of Arts & Crafts and Louisiana State University. He has received three National Endowment for the Arts grants in painting and sculpture and a New York State Foundation for the Arts grant in ceramics as well as a Virginia A. Groot Foundation grant. His work has been featured in many solo and group exhibitions. His work appears in collections at The Carnegie Museum of Art, Metropolitan Museum of Art, The Mint Museum of Art, Museum of Fine Arts (Houston), and Yale University Art Gallery, among others. In May of 2003, the Mint Museum of Art, Charlotte, NC presented a career retrospective survey of his sculptures, paintings, photography and digital works. In 2022, The Everson Museum of Art presented a major exhibition, “Structure and Dissonance.” For a copy of catalog and other publications go to raymonelozua.com/publications

Additional websites:
www.raymonelozua.com
www.vanishingcatskills.us
www.eggbasket-scny.us
www.lostlabor.com
www.homescrap.us
www.stoveburner.com
www.rustybucket.us
www.popsongpoems.us

Instagram: @raymonelozua



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